A phaser audio effect is an audio effect that is used to filter out certain frequencies from an audio signal. This is done by using a phased filter, which works by splitting the original signal into two channels and then playing them back out of phase with each other.
This causes certain frequencies to cancel each other out, resulting in a sweeping sound or a hollow tone. It’s often used to create a “swirly” effect or to make a sound seem more distant or spaced out.
It can also be used to make certain instrument sounds blend together better. Overall, the phaser audio effect is used to shape the sound of an audio signal and add movement and texture to a song.
Where should I put my phaser pedal?
The best place to put your phaser pedal will depend on the specific type of sound you are aiming to achieve. Generally speaking, it is best to place phaser pedals at the start of your effect chain (right after the guitar), or towards the end.
For a more subtle and natural sounding phaser effect, try placing it at the start. This placement will allow the phaser pedal to subtly mix with the natural sound of your guitar or bass.
On the other hand, placing the phaser pedal further down the effect chain will have a greater effect on the tone of your instrument. This means that the phaser sound will be more noticeable, as the dampening effect of different effects can create a boost in the overall sound.
If you are aiming for a more pronounced phaser tone, it is best to place the pedal towards the end of the effect chain.
Ultimately, the choice of where to place your phaser pedal will be down to personal preference. Experimenting with different placements will help you gain a better understanding of how different effects interact to produce your desired sound.
What is the difference between a phaser and a flanger?
A phaser and a flanger are two types of audio effects that can be used to alter the sound of audio recordings. While both effects are related in their ability to create modulation, they achieve this in different ways and produce very distinct sounds.
A phaser produces a sweeping, whooshing sound by shifting the phase of a signal repeatedly over time. This creates a type of resonance, which is a modification of a signal’s frequency that results in a fuller, more dramatic sound.
A flanger, on the other hand, produces a more subtle effect. It works by copying a signal and slightly delaying the copy, and then combining it with the original sound. This creates a vibratory effect that is similar to that of a phaser, but slightly more subtle.
In short, a phaser creates a sweeping, dramatic sound while a flanger produces a more subtle, vibratory sound.
Why is it called a phaser?
A phaser is a type of device that emits a beam of sound waves through air or other materials. It is commonly used in the production of audio and visual effects in movies, television, and theater. The name phaser is derived from “Phase Shifter.
” This designates its use of changing the waveform or phase of the sound wave it produces. Generally, a phaser has two or more “stages,” where at each stage the sound wave is modified before it is sent through the next stage.
Each stage can assimilate a different wave shape and frequency, creating a more diverse and dynamic waveform. By adjusting the various controls, it is possible to create unique and interesting waveforms that can give sounds a “phased” sound that can create an appealing effect.
Therefore, phasing could be seen as an essential ingredient to the original processes of creating, designing and manipulating sound.
What is flanger good for?
Flanger is a type of audio effects processor that has been around for decades. It produces an array of special effects, from subtle to extreme, and can be used creatively to generate unique sound textures.
The mainstays of flanger effects are phasing and chorusing and these effects are used in musical productions across all genres, from rock and pop, to electronic and experimental music.
Phasing occurs when two copies of the same signal are processed with a slight time delay between them. When added together, this creates a sweeping “swoosh” effect that is used for creating pulsing rhythms, making instruments sound deeper, or creating a fuller soundscape.
Chorusing works in a similar way, but instead of a time delay, a slight pitch shift is applied to the second signal, resulting in a subtle vibrato that gives a thicker and wider sound to the instrument.
Flanger can also be used to create effects such as jet planes taking off, running water, explosions, or even alien sounds. It can be used on both recorded and live audio, allowing musicians to experiment with creative effects in either setting.
Overall, flanger is a versatile and powerful tool for creating a range of audio effects, from subtle to extreme. It is a popular tool within the electronic music production space, but can also be used to enhance rock and pop music.
It can be used creatively in both recorded and live productions, giving musicians the chance to explore the expansive possibilities of sound.
What type of pedal is a phaser?
A phaser is an effects pedal that is used to create a sweeping, swirling sound. It works by splitting the signal into two signals and then applying a varying amount of phase shift to one of the signals.
This shifting of the signal creates a modulation effect that is like a sweeping, undulating sound. Generally, phasers work best when used with electric guitar, but they can be used with other instruments as well.
The type of sound a phaser creates can range from a subtle shimmer to a very pronounced, jet-like sound, depending on how much of a phase shift is applied to the signal.
What is the cam phaser controlled by?
The cam phaser is an electronically-controlled camshaft that uses a solenoid valve to quickly adjust the valve timing in sync with the engine RPM. Inside the cam phaser is a rotor that is controlled by a computer.
The computer sends the signal to the solenoid valve which activates the phaser by moving the camshaft relative to the crankshaft. This allows the computer to adjust the valve timing in order to maximize performance and improve fuel efficiency.
By adjusting the valve timing, the engine can better control the air and fuel mixture going into the cylinder as well as the exhaust out of the cylinder. The result is an engine that produces more power and has better fuel efficiency.
Where does the phase shifter go in the pedal chain?
The phase shifter should typically be placed after distortion or overdrive pedals in the pedal chain, but before any time-based effects such as delay or reverb. It can also be inserted after a wah-wah or envelope filter.
By putting the phase shifter at the end of the signal chain, it will be the last pedal the signal passes through, allowing the phase shifting to be applied to the most natural signal and consequently, create the most effective sweeping effect.
Where should compression pedal go in chain?
Where to put a compression pedal in your chain will largely depend on what type of sound you are trying to achieve. Generally speaking, compression pedals should be placed at the very beginning of your pedalboard’s signal chain.
This will allow the compressor to affect all other effects pedals placed after it. Doing so will give you’re a higher level of granularity in your tone.
If you want to create a “rolling off” effect, then place the compressor at the very end of your chain. It will act as a limiter and allow the higher frequencies to ‘roll off’, resulting in a more muffled sound.
It’s important to experiment and try different placements for your compression pedal until you get the sound you are looking for. Don’t be afraid to move around your pedals in order to create new sounds.
Some of the best tones come after a bit of experimentation!.
Where do I put Univibe?
If you are looking for the best place to put Univibe, the answer is in the effects loop of your amp’s signal path. This is because it will give you access to the entirety of the signal’s range—including the distortion and overdrive generated by your amp’s preamp and power amp sections, as well as the added warmth and texture that Univibe can impart.
When placed in your effects loop, Univibe also helps keep your signal chain free from other sound-altering effects, which could degrade its sound. Since the amplifier will remain unaffected by the Univibe, you can use its own tone stack and controls to tailor your overall sound.
Finally, the ease of control in an effects loop placement allows you to make quick adjustments or switch effects off and on quickly, giving you greater flexibility with your sound.
What are phaser pedals good for?
Phaser pedals are great for adding movement to your guitar playing. They work by applying a “phaser effect” which causes the sound waves to shift the frequency over time, creating a sweeping or swooshing effect.
Many popular psychedelic guitar sounds rely heavily on the phaser effect to achieve their quintessential sound. These pedals can be used to achieve tones ranging from subtle and subtle modulation to intense and dramatic shifting of the sound.
They also can be used as a tool to create a sense of space in the mix, to make solos stand out, and to create unique textures in the overall sound. They are often used in conjunction with fuzz pedals to create new and unique sounds.
Which comes first chorus or phaser?
The answer to this question depends on what type of production you are working on, and the individual effect you are talking about. Generally, when setting up a basic track structure, the chorus is usually placed before the phaser in a signal chain.
This is because chorus effects tend to thicken up the sound, while phaser effects tend to create more of a voluminous or swelling effect. Additionally, chorus tonally maintains the original sound while the phaser shifts the sound in a more specific or focused way.
Therefore the chorus tends to be placed first in order to introduce a fuller sound to the track before adding in the more subtle phaser. However, it is entirely possible to use either effect in either order, and the order typically depends on the sound that the producer or engineer is looking for.
How do you use a phaser pedal?
Using a phaser pedal is quite straightforward. To create interesting sounds, here’s what you’ll want to do:
1. Adjust the settings of the phaser pedal before plugging it in. Most phasers have knobs for rate, depth, and feedback. Rate determines how quickly the sound is being phased, depth adjusts how much of the signal is being phased, and feedback adjusts how much of the signal is being sent back into the pedal.
2. Connect your electric guitar to the pedal using a guitar cable.
3. Plug the other end of the guitar cable into an amplifier and adjust the volume to your desired levels.
4. Turn the phaser on and use the knobs to adjust the parameters of your signal.
5. Experiment with the rate, depth, and feedback knobs to get creative and find the sound that you are looking for.
6. When you’re finished playing your guitar, turn off the phaser pedal to prevent any unnecessary drain on the battery power.
Is a phaser the same as a phase shifter?
No. While the terms “phaser” and “phase shifter” are sometimes used interchangeably, they are not exactly the same thing. A phaser is an effect pedal, usually associated with electric guitars, that adds vibrato and swirl to the sound.
It does this by combining two signals that are out of phase and delaying them slightly, creating a sweeping sound. A phase shifter, on the other hand, is an audio processor that shifts the phase of a signal.
It does not have a vibrato effect and instead creates a subtle thickening of the sound. It works by delaying certain frequencies in a signal compared to others, giving the impression that the overall sound has been shifted.
Is the MXR Phase 90 worth it?
Yes, the MXR Phase 90 is worth it for most players. It is well-loved for its iconic sound and flexibility, and it’s one of the most popular and widely used modulation pedals available. It has been used by countless guitarists since the 70s, including some of the most influential players in the world like Eddie Van Halen, Jimi Hendrix, and Stevie Ray Vaughan.
The new reissues are true to the vintage originals and offer a great sound and reliable performance. The Phase 90 provides lush warm modulation tones, ranging from subtle shifts to vibrant swirls, and can be used to add a special touch to guitar solos, leads or rhythm parts.
Its versatility and wide range of sounds make it a must-have pedal that can instantly transform a simple part into an expressive piece of music. It is well worth the price for any guitarist looking for that extra edge to their sound.
Who used the MXR Phase 90?
The MXR Phase 90 is a popular phaser guitar pedal used by many prominent musicians throughout the history of rock and roll. Eddie Van Halen was one of the earliest and most prominent users of the pedal, and it was popularized during the early days of Van Halen.
Other notable users include David Gilmour of Pink Floyd, Brian May of Queen, Kirk Hammett of Metallica, Jimmy Page of Led Zeppelin, John Frusciante of the Red Hot Chili Peppers, Noel Gallagher of Oasis, and Tom Morello of Rage Against the Machine.
The Phase 90 was also used on some classic albums such as the Eagles’ and Jackson Browne’s “Hotel California” and Prince and The Revolution’s “Purple Rain”. The effect created by the pedal ranges from subtle to intense, making it one of the most versatile and widely used guitar effects available.
Did Eddie Van Halen use a phaser?
Yes, Eddie Van Halen certainly did use a phaser. One of his well-known songs, “Ain’t Talkin’ ‘Bout Love” (1978), makes extensive use of the MXR Phase 90 guitar pedal. Throughout his career, Eddie Van Halen was known for exploring different effects and sounds and he frequently used the phaser to achieve those sounds.
In addition, he used the phaser extensively on stage during his live performances with Van Halen. He was known to use multiple phasers at the same time which gave him a signature sound that many guitarists try to emulate.
Other songs in which Eddie Van Halen can be heard using the phaser include “Jump” (1984), “Unchained” (1981), and “Dreams” (1986).
When was the Phase 90 released?
The Phase 90 was first released in 1974, by the MXR Innovations company. It was made to replicate the sound that was created by artists such as Van Halen and Eddie Van Halen, who used the effect to achieve their signature sound.
The original pedal used MN3007 bucket brigade chips, an analog delay line, and a 4-stage phase shifter. It was released as part of the MXR series of effects pedals, and was one of the earliest compact effects from the brand.
The Phase 90 was designed by Michael Laiacona, who was also responsible for designing the Dynacomp compressor and the Micro Amp boost. Since its initial release, the Phase 90 has gone through multiple iterations and versions, including the 1974 model, 1976 script logo, 1983 script logo reissue, 1991 18V script logo model, and the modern EVH 90, designed in collaboration with Eddie Van Halen.
How many stages is a Phase 90?
The classic Electro-Harmonix Phase 90 pedal has four stages of phasing: stage one is a fixed-rate sweeper, stage two is a variable-rate sweeper, stage three is a fast rate with variable depth, and stage four is a slow rate with variable depth.
Some of the newer versions of the Phase 90, such as the MXR M101 and the M102, have additional stages of phasing, such as a saturation mode or an adjustable waveform, allowing for further customization of the effect.
The Phase 90 has been an industry standard for decades and it is a popular choice among guitarists looking to add classic phasing to their tone.
Are MXR pedals true bypass?
No, MXR pedals are not true bypass. While some MXR pedals have true bypass circuitry, the majority of MXR pedals use a buffer circuit. Buffers help to reduce interference from long cable runs and are useful for preserving the guitar’s natural tone.
A buffer circuit is essentially a miniature preamp whose gain is set to unity, meaning it doesn’t boost or cut the signal in any way. The buffer provides the guitar signal with a low impedance source which helps the signal stay strong and clear while travelling long distances.
These buffer circuits inherently colour the tone of the signal and are less transparent than true bypass circuits.